Stop Motion free essay sample

Stop motion animation has a long history in film. It was often used to show objects moving as if by magic. The first instance of the stop motion technique can be credited to Albert E. Smith and J. Stuart Blackton for The Humpty Dumpty Circus (1897), in which a toy circus of acrobats and animals comes to life. In 1902, the film Fun in a Bakery Shop used the stop-trick technique in the lightning sculpting sequence. French trick film maestro Georges Melies used true stop-motion to produce moving title-card letters for one of his short films, but never exploited the process for any of his other films[dubious – discuss].The Haunted Hotel (1907) is another stop motion film by J. Stuart Blackton, and was a resounding success when released. Segundo de Chomon (1871–1929), from Spain, released El Hotel Electrico later that same year, and used similar techniques as the Blackton film. In 1908, A Sculptors Welsh Rarebit Nightmare was released, as was The Sculptors Nightmare, a film by Billy Bitzer. We will write a custom essay sample on Stop Motion or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Italian animator Romeo Bossetti impressed audiences with his object animation tour-de-force, The Automatic Moving Company in 1912. The great European stop motion pioneer was Wladyslaw Starewicz (1892–1965), who animated The Beautiful Lukanida (1910), The Battle of the Stag Beetles (1910), The Ant and the Grasshopper (1911). One of the earliest clay animation films was Modelling Extraordinary, which dazzled audiences in 1912. December 1916 brought the first of Willie Hopkins 54 episodes of Miracles in Mud to the big screen. Also in December 1916, the first woman animator, Helena Smith Dayton, began experimenting with clay stop motion.She would release her first film in 1917, an adaptation of William Shakespeares Romeo and Juliet. In the turn of the century, there was another well known animator known as Willis O Brien (known by others as Obie). His work on The Lost World from 1925 is known, but he is most admired for his work on King Kong, a milestone of his films made possible by stop motion animation. [edit] 1960s and 1970s In the 1960s and 1970s, independent clay animator Eliot Noyes Jr. efined the technique of free-form clay animation with his Oscar-nominated 1965 film Clay or the Origin of Species. Noyes also used stop motion to animate sand laying on glass for his musical animated film Sandman (1975). Sand-coated puppet animation was used in the Oscar-winning 1977 film The Sand Castle, produced by Dutch-Canadian animator Co Hoedeman. Hoedeman was one of dozens of animators sheltered by the National Film Board of Canada, a Canadian government film arts agency that had supported animators for decades.A pioneer of refined multiple stop motion films under the NFB banner was Norman McLaren, who brought in many other animators to create their own creatively controlled films. Notable among these are the pinscreen animation films of Jacques Drouin, Alexeiff Parker, and Gaston Sarault such as Mindscape (1976). Italian stop motion films include Quaq Quao (1978), by Francesco Misseri, which was stop motion with origami, The Red and the Blue and the clay animation kittens Mio and Mao.Other European productions included a stop motion-animated series of Tove Janssons The Moomins (from 1979, often referred to as The Fuzzy Felt Moomins), produced by Film Polski and Jupiter Films. Marc Paul Chinoy directed a puppet animation feature-length film based on the famous Pogo comic strip in 1980. Titled I go Pogo, it was aired a few times on American cable channels but, has yet to be commercially released. [citation needed] One of the main British Animation teams, John Hardwick and Bob Bura, were the main animators in many early British TV shows, and are famous for their work on the Trumptonshire trilogy.Disney experimented with several stop motion techniques by hiring independent animator-director Mike Jittlov to do the first stop motion animation of Mickey Mouse toys ever produced for a short sequence called Mouse Mania, part of a TV special commemorating Mickey Mouses 50th Anniversary called Mickeys 50th in 1978. Jittlov again produced some impressive multi-technique stop motion animation a year later for a 1979 Disney special promoting their release of the feature film The Black Hole. Titled Major Effects, Jittlovs work stood out as the best part of the special. Jittlov released his footage the following year to 16mm film collectors as a short film titled The Wizard of Speed and Time, along with four of his other short multi-technique animated films, most of which eventually evolved into his own feature-length film of the same title. Effectively demonstrating almost all animation techniques, as well as how he produced them, the film was released to theaters in 1987 and to video in 1989.